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Loving, Remixed



feminist atheist lesbian, but mostly I just like cats

What’s fundamentally broken about the MPAA isn’t the system so much as the thinking behind the judgments. The ratings-board members, swathed in their shadow of anonymity, insist on a nearly Victorian double standard for sex and violence: Anything associated with the former (like the word “f—-“) is treated as taboo, whereas horror and action films that feature over-the-top violence routinely get a PG-13. This outdated distinction may be a reflection of “American values,” but that does not make it right. And the fact that the board tends to go easier on big-budget blockbusters may be the shoddiest double standard of all.

― Owen Gleiberman takes on the MPAA in his review of Bully. (The movie gets a B+.)

1 year ago ⋅ 112 notes ⋅ VIA ⋅ SOURCE
MPAA     bully     

The sex drive of men is something we are all comfortable with in this country. It’s funny and hormonal and slapstick (American Pie), it’s potentially uncontrollable, maniacal/homicidal (American Psycho), it is adulterous and is insatiable (American Beauty), it is fun and social (American Graffiti) and it is entrepreneurial (American Gigolo). But women? No. NC-17. XXXX. Stop it with the moaning.

riese (via fuckyeahautostraddle)

Funny (read: fucking infuriating) thing about this: where female pleasure is generally a no-no, female pain is often viewed as less extreme. This skewed perception of female sexuality results in “Blue Valentine” being rated NC-17 because a woman is shown enjoying receiving oral sex, while “The Last House on the Left” and “The Girl with the Dragon Tattoo” come away with R-ratings, despite both having explicit rape scenes. 

So not only does our film culture limit female sexuality, but it limits it to the exact opposite of what anyone would hope sexuality to be: dark, shameful, violent, and only ever remotely pleasurable if orchestrated by a man - but never at the expense of the man’s own pleasure.

In “Blue Valentine”, Ryan Gosling gets Michelle Williams off, after all. We don’t see his character orgasm.

And, evidently, that’s far too threatening to the virility of men everywhere. 

(via michaelfassbendersteeth)

1 year ago ⋅ 20,585 notes ⋅ VIA ⋅ SOURCE